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Silverlight includes vector graphic primitives that are infinitely scalable and easy to manipulate. The basic shapes include Ellipse and Rectangle, which can be combined into Path objects, which we cover in this section. The Ellipse and Rectangle objects are predefined shapes that can be combined to create pretty much any other shape. They are less flexible than Path objects, but they can be easier to work with because they provide structure that is malleable. For example, it is easy to visually create a perfect circle with an Ellipse by drawing an Ellipse on the surface and then adjusting the drawing by grabbing a corner and sliding the selection frame left, right, up, or down so that the bounding rectangle around the Ellipse has the same width and height. You can also set the Width and Height properties directly in the Expression Blend properties window. Figure 3-17 shows the mouse adjusting an Ellipse so that it is 102 by 102 pixels, forming a perfect circle.

The entire process of taking a photograph involves three steps, shown in Figure 1-10. The first step is to define the specific view of the real world that is going to be photographed, which is called composition. This is obtained by changing the focal length of the lens, commonly known as zoom, or by changing the positioning or orientation of the camera itself until the desired scene is presented in the viewfinder. The second step is to gather just enough light from the selected field of view to capture the desired photograph. The total amount of light gathered in the process of taking the photograph is called exposure. If not enough light is gathered, the image is said to be underexposed and it will look too dark or black. On the other hand, if there is more than just the needed light, the image is said to be overexposed and it will look too bright or white. The correct exposure is achieved using a combination of three controls: shutter speed, aperture, and sensitivity, which are described later. The third and final step is called post-processing. In film, this step is done in a dark room and only professionals can do it, so most of us need to send the photos to a lab and wait for the final images. In digital photography, the post-production is done on the computer. This means that you don t need to send your photos to another person; you can process your own images yourself. In this step, the photographer produces the final image, correcting mistakes done in the previous two steps, adjusting the colors, applying filters, and in general making all the necessary changes needed for producing a great-looking photograph using image processing tools.

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Figure 3-17. Adjusting an Ellipse to create a perfect circle in Expression Blend You can also create a circle with a Rectangle shape. The first step is to drag a Rectangle onto the design surface or Artboard in Expression Blend and size it as when working with the Ellipse, to 100 5 100 pixels. Next, with the mouse, grab the handle in the upper-left corner of the Rectangle, and drag it as far as it will go down and to the right. Doing so yields a circle, as shown in Figure 3-18.

Figure 3-18. Adjusting a Rectangle to create a perfect circle in Expression Blend What is accomplished visually can also be accomplished programmatically by setting the RadiusX and RadiusY value to half the length or width, assuming the length and width are the same on the Rectangle. If the length and width are not equal in value, you will create a circular shape, but it won t be a perfectly round circle. As mentioned earlier, you can create drawings with shapes by combining them in Expression Blend. As an example, let s say you want to create a puffy cloud shape. Draw a circle using an Ellipse shape object that is 100 x 100 pixels. Make two copies, fill them with gray for a storm-cloud appearance, and arrange them as shown in Figure 3-19.

There are over a hundred distinct artifacts in RUP, and nearly all of them are documents or collections of documents. For example, the Software Development Plan includes a Risk Management Plan, a Product Acceptance Plan, and so on. Each artifact is created and updated by a specific role. It s clearly overkill to produce all of these documents in every project. Unfortunately, RUP doesn t define a minimal set of artifacts that you can build on, and it s always more difficult to remove items from a list than it is to add them. RUP projects frequently demand more artifacts than are strictly necessary, which adds to the overhead and risk of these projects.

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